Wednesday, October 26, 2011

Image source: Metropolitan Museum of Art

The Mongol Ilkhanid rulers of Iran had strong ties with eastern Asia, and that facilitated the exchange of people and goods across the continent. As a result, Persian art produced under Ilkhanid rule often includes newly imported motifs. The soaring phoenix was a favorite subject of rulers in China, and its use in late 13th-century Iran suggests that Ilkhanid artists had adopted Chinese models.

This Chinese symbol of royalty was well-known by the Ilkhanid rulers. In the hands of the Persian artists, it became a representation of their own mythical bird, the simurgh. The fact that this one tile can be interpreted one of two ways—either as a dragon or as a simurgh—indicated the cosmopolitan and hybrid nature of the Ilkhanid court. The tile was purchased by the Museum in 1912.


Fei An said...

Hi, Yoli, when are you coming to Beijing? I am planning to go back to Beijing to celebrate Chinese New Year with my parents in January. Maybe I have a chance to see Sally? Wish we can meet:)

kenza said...

Beautiful! And I love the art of that period in the region.

Jeanne said...

Your blog is fabulous.
Thanks for all your postings.

Jeanne said...